308 Royalty-Free Audio Tracks for "Dry Erase"

Simple noodling using the soprsax! patch on the yamaha vl70-m physical modelling synthesizer using the yamaha wx11 windcontroller. Vaguely inspired by listening to a video about wayne shorter’s infant eyes. Might become useful in a future piece of musicking.

A recording of someone walking slowly through dry leaves, could be used for footsteps or simply rustling of leaves.

A mixer truck, freshly loaded is mixing (extremely dry) concrete in the drum as it spins on the frame of the truck! i held the mic to the exterior of the steel drum as it spun. So there are underlying cat engine noises in the background. The concrete is so dry, its load enough to over power the majority of engine sounds.

This is as named, how i made these is not important. Ideally i imagine these appearing in a victorian period drama featuring adrien brody and sam neill.

Some sounds of a man with dry mouth momentarily waking up from a sleep. Recorded with an audio-technica shot gun mic to a tascam dr-60dmii.

This is the sound of a hair dryer. Recorded with a sony pcm-d100 in stereo.

Processed recording of a portable mechanical typewriter. Captured using a clippy em172 microphone and a zoom h5 recorder. Edited and processed in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

A footstep (left foot) on a dry grassy surface. Originally recorded these for a university project, but thought they could be of some use to someone.

I bought a little handheld tape recorder at goodwill and found a tape with this recording on it inside.

Recorded on zoom h4n pro w/ rode m3 & rode ntg1.

The sound of water dropping off drying ice, falling onto dry leaves. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio. Extra credit: alex tavera.

Whenever i'm bored i tend to beatbox, so i decided to multitrack myself one day in the hopes of creating a full song out of it. I never did finish it, so i've included this and another loop of my multi-tracked vocals in this pack. If you use it leave a comment to let me know where i can hear what you did with it!.

A dark timpani with a lot of low-end no. 4. Have fun!.

The sound of water dropping off drying ice, falling onto dry leaves. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio. Extra credit: alex tavera.

Created using the fantastic chiptone synthesizer. Http://sfbgames. Com/chiptone.

Created using the fantastic chiptone synthesizer. Http://sfbgames. Com/chiptone.

Graham cracker foley recorded with a pair of mics in xy stereo arrangement (close), and small diaphragm condenser mic (far) running parallel. Processed in reaper with ambient noise reduction, compression, and eq. Each file mixed according to the title ("far" or "close" dominant).

Voice actor: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Slams of skin to skin contact. Recorded it using my palm and arms. Used for a sexual intercourse scene in a short film. Used an audio-technica boom mic with tascam dr60dm2.

Made with sophia.

Created using the fantastic chiptone synthesizer. Http://sfbgames. Com/chiptone.

A request for distant road-noise. . . Https://freesound. Org/forum/freesound-project/40754/?page=1#post90644.

This is a pack of 92 acoustic percussion samples, made from various instruments sitting unused at my house, djembes, darabouka, maracas, composite pipe, pvc, cardboard and wooden scraps, they are all simply recorded with a cheap sm57 clone from t. Bone using ardour, there is no special editing made except for som noise removal in audacity. I needed a repository of percussive short decay organic sounds for my own projects so i made this pack, feel free to use without mentioning me, although i'm always happy when people send me links of their creations.

Recorded with a sennheiser mkh 416 into a tascam dr-100 mkii.

The sound caught my attention and i thought others might find it useful. The sound comes from a small cardboard box with a glossy exterior being removed from a slightly bigger cardboard box causing the little pop at the end.

From the eerie fx pack. See tags for some more detail. All sounds from eerie fx pack were actually ripped (using edison) from a highly modified version of my upload 'eerie fx full'.

It's me jamming a bit using my epiphone's explorer (tuned to drop-d). Recorded with a zoom h2 via mic-in and a jack cable. Unprocessed an undedited recording. I tried out some licks and chords. I'm not a good guitarist. Nevetheless, this might be a nice recording if you're making an animation about learning musician, or a game with a band member rehearsing alone in a room, or if you want to just chill to my little jam session. This should be mono, but i calculated the difference between left and right channel and it is not zero. So i uploaded it as a stereo file. Could use some denoising. There is some silence at the beginning so you can do that if you need.

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.

Some artificial wind mixed with a weird metallic hum. Feels wave-like. Made/generated in audacity.